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Here are all the paintings of BASCHENIS, Evaristo 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 4953 |
 |
Musical Instruments |
Oil on canvas, 98,5 x 147 cm
Mus??es Royaux des Beaux-Arts, Brussels |
| 21547 |
 |
Still Life with Musical Insteruments (mk08) |
c.1650
Oil on canvas,
115x160cm
Bergamo,Galleria dell'Accademia Carrara |
| 4955 |
 |
Still-life with Instruments ll |
1667-77
Oil on canvas, 108 x 153 cm
Gallerie dell'Accademia, Venice |
| 4954 |
 |
Still-Life with Musical Instruments |
c. 1650
Oil on canvas, 97 x 147 cm
Pinacoteca di Brera, Milan |
| 32253 |
 |
Still-life with Musical Instruments |
c. 1650
Oil on canvas, 115 x 160 cm |
| 18863 |
 |
Still-Life with Musical Instruments 01 |
undated, oil on canvas, Pinacoteca di Brera, Milan |
| 4956 |
 |
Still-Life with Musical Instruments and a Small Classical Statue www |
c. 1645
Oil on canvas
Accademia Carrara, Bergamo |
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| BASCHENIS, Evaristo
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| Italian Baroque Era Painter, 1617-1677
Evaristo Baschenis (December 7, 1617 ?C March 16, 1677) was an Italian Baroque painter of the 17th century, active mainly around his native city of Bergamo. He was born to a family of artists. He is best known for still lifes, most commonly of musical instruments. This could explain his friendship with a family with notable violin makers from Cremona. Still-life depictiona were uncommon as a thematic among Italian painters prior to the 17th century. Baschenis, along with the more eccentric 16th century painter Milanese Arcimboldo, represents provincial outputs with idiosyncratic tendencies that appear to appeal to the discernment of forms and shapes rather than grand manner themes of religious or mythologic events. For Arcimboldo, the artifice is everything; for Baschenis, the items, man-made musical instruments, have a purpose and a beauty even in their silent geometry. One source for his photographic style of still life could be Caravaggio's early painting of peaches, or alternatively, Dutch paintings. The most faithful imitator of his style is a younger contemporary Bergamese, Bartolomeo Bettera. Baschenis is a contemporary of the Bergamese portrait artist, Carlo Ceresa, and appears to have been influential for the Modenese artist Cristoforo Munari.
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